ALICE CLEMENTS
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  • Artwork
    • Performance
      • Coming Out Of The Cave
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      • Mid-Pandemic March
    • Collage
      • "Summer," Honor Fraser Gallery
      • “Mountaineers,” Elephant, Los Angeles
      • More Collage
    • Installation
      • "Float Shimmer," Mesa Project Space
      • "Reconstruction," Highways Performance Space, Santa Monica, CA
      • "Reformulation: Claremont Idyll," Pomona College
      • "Primary," Los Angeles Museum of Art, Occidental College, Los Angeles, CA
      • "Contact Improvisation," Santa Ana College
      • "Holding Things Up," Art Center College of Design, Pasadena, CA
      • More Installation
    • Sculpture
      • “Shells, Prisms,” Glendale College Glendale, CA
      • “Devise and Evolve,” Brand Library, Glendale, CA
      • "In the Basement," Jancar Gallery, Los Angeles, CA
      • More Sculpture
    • Stretched Fabric
      • "Wrapping," Coop Gallery, Nashville, TN
      • More Stretched Fabric
    • Curated
      • "Contact Improvisation"
      • "Push Me Pull You; The Horse with No Ass"
      • "Side Project"
      • "Mostly Sculpture Show"
  • Contact
  • CV
  • Instagram
ALICE CLEMENTS
  • Home
  • Artwork
    • Performance
      • Coming Out Of The Cave
      • Late Pandemic Dance
      • Mid-Pandemic March
    • Collage
      • "Summer," Honor Fraser Gallery
      • “Mountaineers,” Elephant, Los Angeles
      • More Collage
    • Installation
      • "Float Shimmer," Mesa Project Space
      • "Reconstruction," Highways Performance Space, Santa Monica, CA
      • "Reformulation: Claremont Idyll," Pomona College
      • "Primary," Los Angeles Museum of Art, Occidental College, Los Angeles, CA
      • "Contact Improvisation," Santa Ana College
      • "Holding Things Up," Art Center College of Design, Pasadena, CA
      • More Installation
    • Sculpture
      • “Shells, Prisms,” Glendale College Glendale, CA
      • “Devise and Evolve,” Brand Library, Glendale, CA
      • "In the Basement," Jancar Gallery, Los Angeles, CA
      • More Sculpture
    • Stretched Fabric
      • "Wrapping," Coop Gallery, Nashville, TN
      • More Stretched Fabric
    • Curated
      • "Contact Improvisation"
      • "Push Me Pull You; The Horse with No Ass"
      • "Side Project"
      • "Mostly Sculpture Show"
  • Contact
  • CV
  • Instagram
© ALICE CLEMENTS
Website by OtherPeoplesPixels

Curated > "Side Project"

Installation
Installation
Installation
Installation
Installation
Installation
Matt Wardell
Mystery Babylon, part 1 (Hernán)
2011
mixed media with found blanket
Matt Wardell
Mystery Babylon, part 1 (Hernán)
2011
mixed media with found blanket
Curt LeMieux
Federal Reserve System
Tattooing
Free Trade
Space Cyclops
all 2011
Encyclopedia page, ink, paint marker
Curt LeMieux
Federal Reserve System
Tattooing
Free Trade
Space Cyclops
all 2011
Encyclopedia page, ink, paint marker
Amy Green
Untitled
Installation of 5 wood panels with felt + acrylic pour.   
2011
Amy Green
Untitled
Installation of 5 wood panels with felt + acrylic pour.
2011
Alice Konitz
untitled (house for person and bird)
2011
Alice Konitz
untitled (house for person and bird)
2011
Erik Frydenborg and Ernest Gibson
Net Shaker-- "Church On Time" 
2009
audio files on compact disc
Erik Frydenborg and Ernest Gibson
Net Shaker-- "Church On Time"
2009
audio files on compact disc
2015
Erich Bollmann
not yet titled (puce)
not yet titled (beau blue)
not yet titled (flavescent)
2011
paint, fabric, wood
Erich Bollmann
not yet titled (puce)
not yet titled (beau blue)
not yet titled (flavescent)
2011
paint, fabric, wood
Alice Clements
Pink, White, and Black on White
2011
4 sheetrock panels, paint
Alice Clements
Pink, White, and Black on White
2011
4 sheetrock panels, paint
Amy Green and Curt LeMieux 
Fish
2011
paint, felt, pen on wood panel
Amy Green and Curt LeMieux
Fish
2011
paint, felt, pen on wood panel
© ALICE CLEMENTS
Website by OtherPeoplesPixels