ALICE CLEMENTS
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  • Artwork
    • Performance
      • Coming Out Of The Cave
      • Late Pandemic Dance
      • Mid-Pandemic March
    • Collage
      • "Summer," Honor Fraser Gallery
      • “Mountaineers,” Elephant, Los Angeles
      • More Collage
    • Installation
      • "Float Shimmer," Mesa Project Space
      • "Reconstruction," Highways Performance Space, Santa Monica, CA
      • "Reformulation: Claremont Idyll," Pomona College
      • "Primary," Los Angeles Museum of Art, Occidental College, Los Angeles, CA
      • "Contact Improvisation," Santa Ana College
      • "Holding Things Up," Art Center College of Design, Pasadena, CA
      • More Installation
    • Sculpture
      • “Shells, Prisms,” Glendale College Glendale, CA
      • “Devise and Evolve,” Brand Library, Glendale, CA
      • "In the Basement," Jancar Gallery, Los Angeles, CA
      • More Sculpture
    • Stretched Fabric
      • "Wrapping," Coop Gallery, Nashville, TN
      • More Stretched Fabric
    • Curated
      • "Contact Improvisation"
      • "Push Me Pull You; The Horse with No Ass"
      • "Side Project"
      • "Mostly Sculpture Show"
  • Contact
  • CV
  • Instagram
ALICE CLEMENTS
  • Home
  • Artwork
    • Performance
      • Coming Out Of The Cave
      • Late Pandemic Dance
      • Mid-Pandemic March
    • Collage
      • "Summer," Honor Fraser Gallery
      • “Mountaineers,” Elephant, Los Angeles
      • More Collage
    • Installation
      • "Float Shimmer," Mesa Project Space
      • "Reconstruction," Highways Performance Space, Santa Monica, CA
      • "Reformulation: Claremont Idyll," Pomona College
      • "Primary," Los Angeles Museum of Art, Occidental College, Los Angeles, CA
      • "Contact Improvisation," Santa Ana College
      • "Holding Things Up," Art Center College of Design, Pasadena, CA
      • More Installation
    • Sculpture
      • “Shells, Prisms,” Glendale College Glendale, CA
      • “Devise and Evolve,” Brand Library, Glendale, CA
      • "In the Basement," Jancar Gallery, Los Angeles, CA
      • More Sculpture
    • Stretched Fabric
      • "Wrapping," Coop Gallery, Nashville, TN
      • More Stretched Fabric
    • Curated
      • "Contact Improvisation"
      • "Push Me Pull You; The Horse with No Ass"
      • "Side Project"
      • "Mostly Sculpture Show"
  • Contact
  • CV
  • Instagram
© ALICE CLEMENTS
Website by OtherPeoplesPixels

Curated > "Mostly Sculpture Show"

"Mostly Sculpture Show"
Alice Koenitz
BBQ
2009
Enameled metal, fireproof tarp
"Mostly Sculpture Show"
Alice Koenitz
BBQ
2009
Enameled metal, fireproof tarp
Patrick Hill
Calendar
2010
Newspaper, dye, white carrera marble, steel, glue
Patrick Hill
Calendar
2010
Newspaper, dye, white carrera marble, steel, glue
Heather Cook
Untitled
2009
Bleach on cotton jersey and push pins
Heather Cook
Untitled
2009
Bleach on cotton jersey and push pins
Brett Lund
Guerilla Complex:
  The Dirty Sides of Private Sanchez
  Black siren (Pink Light)
2010
Foam, plaster, spray paint, resin
Brett Lund
Guerilla Complex:
The Dirty Sides of Private Sanchez
Black siren (Pink Light)
2010
Foam, plaster, spray paint, resin
Kathryn Andrews
Requiem and Reverb
2010
Flowers and borrowed artwork (Scott Benzel, The Flowering of Instrumental Reason, 2007, mixed media)
Kathryn Andrews
Requiem and Reverb
2010
Flowers and borrowed artwork (Scott Benzel, The Flowering of Instrumental Reason, 2007, mixed media)
Alice Clements
the psyche rejoices while the ego weeps
2010
Sheetrock, plaster, enamel, latex paint
Alice Clements
the psyche rejoices while the ego weeps
2010
Sheetrock, plaster, enamel, latex paint
Alice Clements
Walking Stick
2010
Plaster
Alice Clements
Walking Stick
2010
Plaster
© ALICE CLEMENTS
Website by OtherPeoplesPixels